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Maaike Canne is a 26-year-old illustrator who just moved to Rotterdam, Netherlands. She has always had an interest in collecting, organizing and drawing. Her bold painting always expands people’s imagination. Recently, she really enjoys making murals.

With Holly Aird, Miles Anderson, Jay Barrymore, Kate Blackham. Sam, a middle-aged executive in the roller-coaster industry embarks on an affair with Allie, a younger woman, jeopardizing his marriage.Maaike recently helped JumpFromPaper customized the cartoon bag below.
She named her cartoon bag
’Balance’.
*Overall at Top Documentary Films you can find thousands of stunning, eye-opening and interesting documentaries. Choose one that suits your interest through navigation system of TDF, watch it, and tell us how it was through comments. Go through this great collection of documentary movies, watch your favorite documentaries, share your thoughts.
*Related Blog Article: rBuy the Stencil: r rTranscript: r rWhats up mes amis?! R rGet ready for a deliciously cute cupcake graffiti eye design I want to share with everyone! R rPetite, fun to decorate and super tasty, my cupcake craving drives me crazy! R(Have me looking at the cupcakes close up from behind like I cant decide what cupcake to eat.We had an interview with this amazing girl! Let’s check this out!!
* Could you please tell us more about the concept of your cartoon bag?
Maaike: You can see my love for certain abstract shapes and bold colors. The shapes are abstract but are based on parts of Asia. The red circle refers to the Japanese flag or a Chinese lantern. Red is the color of good luck in Asia. The 3 identical shapes refer to the Japanese and Chinese language. The pink shape is based on the shape of a kimono.
*What is the core concept/value of your painting?
Maaike:I graduated less than a year ago and it’s all just taking off on a certain road, a road with a lot of sidetracks that interest me. I’m actually only just starting to understand my own work, but it’s still hard to define. The subjects of my painting vary, depending on what interests me at the moment. There are some elements that I see in a lot of my work, whether I integrate it on purpose or not. It often gives insight into the surroundings and/or feelings of a character who is not in the picture. It’s a fantasy world that touches reality, you can relate in some way but it also feels somewhat isolated. It’s like the painting is the moment after a moment. Or as if a moment still has to occur. The concept of my painting also depends on the type of work I make, because next to figurative illustration I also love to do more abstract work.
*Your work “Kodokushi” seems like you are telling a story of a social issue. How do you choose the subjects when painting?
Maaike:It’s definitely a social issue, ’Kodokushi’ means lonely deaths. This subject derived from my interest in Japan. Social isolation is a big problem in Japan. As for ’Kodokushi’, there’s also a word for this phenomenon of social isolation, it’s called Hikikomori. It refers to people who avoid personal or social contact and live in self-imposed isolation for an extended period—six months or longer, as defined by the Ministry of Health, Labor, and Welfare. I find it very interesting that Japan has over 127 million people, but is also the country where so many people suffer from loneliness.Loneliness seems to be a subject that’s more common in my work. It might have to do with some social struggles I deal with myself. I always found it very scary to meet new people or to be at the center of attention, public speaking feels like a total nightmare. But I’m definitely getting better at it over the years!
*What is your hobby when not creating your art? Maaike: What I like to do most is strolling around on flea markets and going to thrift stores. My dad always took me to flea markets as a kid because he’s a collector. I’ve always loved everything about it! Going through boxes filled with random things and then finding that one thing you never knew you wanted so bad! I also enjoy going to museums and concerts and now that think about it, I’d like to visit more comedy shows.
*Your father is a graphic designer and grandmother is a painter. How does this background influence you as being an illustrator?
Maaike:As a child, I always felt free to do what I wanted, and that thing was drawing. My family was very supportive, they didn’t see it as a strange thing to do as a job. For example, I loved going through my grandmothers’ collection of large charcoal portraits or sorting oil paint tubes by size or color and looking at her art books. I remember that when the sun was out when I visited my grandmother, we would draw together in the garden, that was great. All these little experiences probably helped me to see that making art for a living isn’t very far out of reach. It helped me develop certain interests and maybe even getting to know myself a bit more.
*Ideas on art usually come from a magic moment like walking on a street that you’ve never been to. For you, where and what is your memorable inspiration?
Maaike:My memory is very bad, unfortunately. So when I get inspired by something I photograph it or get something on paper the same day. This is the best way for me to get an inspirational moment into an artwork. A lot of ideas come when I’m falling asleep when I’m on the edge of a dream. Sometimes I still remember parts of it when I wake up so I make a note. But honestly, I don’t remember one very special moment where this magic happened. Luckily I don’t necessarily need epic moments like a talking cat with human legs eating colloquies at a French restaurant. It can be a stack of red plastic tubes on a building site or a poster blowing through the streets. I’m easily impressed by the simple things in life.
*What kind of your characteristics make you insist on illustrating?
Maaike:Like most illustrators, I’ve always had a rich fantasy, and with that, I’m very ambitious about making art. I think for a lot of people that have an imaginative mind comes the need to somehow translate this into art. Whether this is music, theater, writing, or making paintings.
*Do you have any advice for people who are fascinated by arts and want to step into this industry?
Maaike: When I was younger I only saw the romantic part of making art, I saw myself drawing whatever and whenever I wanted. But illustration is also about deadlines, battling your insecurities, learning to do business with clients, getting yourself noticed.. etc. You’re going to have to embrace these parts as well. I think you can only embrace this if you love what you do! If you do, go for it!
*Who is your idol and how does he/she inspire you?
Maaike:There are, and were so many great artists out there.. David Hockney is an inspiration because he’s in love with making art in all kinds of ways, and he’s still experimenting and learning new things. I think that’s very inspiring. He has a great sense of balancing reality with fantasy. Also, his skewed perspectives, bold colors, hard shadows and isolated landscapes definitely inspire me. Artist from the Memphis group like Nathalie du Pasquier inspires me with their use of line, shape, color, and space. I love the empty cityscapes and isolated themes of Edward Hopper’s work. There also are a lot of more recent artists that I like; Antoine Cosse, Jee-ook, Kasper Bosmans, Jd Banke, Ed Bats, Andrey Kasay.

Wall painting at Netherland
*Where do you see yourself in 5 years?
Maaike:I see myself living in a big city, with lots of things to see and do. But having a quiet home with lots of greenery and large windows. A studio where I love working and no longer having a job on the side. And of course my lovely friends around, and who knows, I might even have a boyfriend.

*Any big plans/ art project coming up in this year?
Maaike:At the moment I’m working on an illustration for Papier magazine/Dimanche studio to celebrate the 70’th birthday of the European Union. I’m making a design for Mudshirt, they screenprint shirts on festivals, with mud! Doing a collab with JumpfromPaper and I’m going to make another large mural at a nightclub. I’m looking forward to seeing how color shapes and lines react to different lighting.
*What advice would you give to young artists? Maaike:I don’t know if I’m in the position of giving advice, but I’ll try. In my opinion becoming an artist isn’t something you can do on the side. I feel like if you want to be successful, art should be in your system almost 24/7. Look around, watch documentaries, movies, read, write, collect.. get to know yourself better and always find ways to improve yourself. Look at other people but create your own path!
For more information, check out her website & Instagram Account @maaike _canneWanna design a unique cartoon bag just as Maaike?Eat This Cakegraffiti Movies & Documentaries FreeThe Cake EatersDirected byMary Stuart MastersonProduced byAllen BainElisa PuglieseWritten byJayce BartokStarringKristen StewartAaron StanfordJayce BartokBruce DernElizabeth AshleyMiriam ShorMusic byDuncan SheikCinematographyPeter MastersonEdited byJoe LandauerColleen SharpDistributed by7-57 ReleasingRelease date
*April 29, 2007 (Tribeca Film Festival)
*March 13, 2009 (United States)86 minutesCountryUnited StatesLanguageEnglish
The Cake Eaters is a 2007 American independent drama film about two small town families who must confront old issues with the return of one family’s son.[1] The film was directed by Mary Stuart Masterson (in her feature film directorial debut) and stars Kristen Stewart, Aaron Stanford, Bruce Dern, and Jayce Bartok. Kristen Stewart is featured as Georgia, a young girl with Friedreich’s ataxia, a rare disease for which there is no cure.[2]Plot[edit]
The Cake Eaters is a small-town, ensemble drama that explores the lives of two interconnected families coming to terms with love in the face of loss. Living in rural America, the Kimbrough family are a conflicted bunch: Easy, the patriarch and local butcher, is grieving over the recent loss of his wife, Ceci, while hiding a secret ongoing affair for years; Beagle, his youngest son who was left to care for his ailing mother, works in the local high school cafeteria by day but has a burning passion inside that manifests itself through painting street signs; and the eldest son, Guy, has been away from the family for years while pursuing his rock star dream in the big city until the day he learns of his mother’s death and that he has missed the funeral.
Upon Guy’s return home, relationships between the characters begin to unravel: Beagle’s pent up emotions connect with Georgia Kaminski, a terminally ill teenage girl wanting to experience love before it is too late; Easy’s long-time affair with Marg, Georgia’s eccentric grandmother, is finally exposed to the Kimbrough children; and Guy discovers that in his absence his high school sweetheart, Stephanie, has moved on and started a family of her own. Consequently, The Kimbroughs and Kaminskis manage to establish new beginnings in facing their varied relationships.Cast[edit]Eat This Cakegraffiti Movies & Documentaries 2017
*Kristen Stewart as Georgia Kaminski
*Aaron Stanford as Beagle
*Bruce Dern as Easy Kimbrough
*Elizabeth Ashley as Marg
*Jayce Bartok as Guy
*Miriam Shor as Stephanie
*Talia Balsam as Violet, Georgia’s mother
*Jesse L. Martin as Judd, Violet’s boyfriend
*Melissa Leo as CeciMeaning of title[edit]
In an interview at The Austin Film Festival in 2007, Jayce Bartok, the movie’s screenwriter, was asked about the title’s meaning. Bartok is quoted as saying, ’The Cake Eaters is a term I grew up with in Pennsylvania. My mom used to use it to describe those who had it made, had their lives mapped out for them, were the most likely to succeed… ’The Cake Eaters.’ I thought it was an interesting metaphor for this group of misfits who begin the story searching and longing for love, trying to overcome grief, and through the course of the story… find their ’cake.’ They find some love, happiness, peace….’ The term was widely popularized as a quote from the 1992 film The Mighty Ducks.[3]Release[edit]
The Cake Eaters opened at the Tribeca Film Festival on April 29, 2007, and made the rounds of the independent film circuit, premiering at various film festivals such as Woodstock Film Festival, Lone Star International Film Festival, Fort Lauderdale International Film Festival, et al. It was eventually given a very limited theatrical release on March 13, 2009,[4] and debuted on DVD on March 24, 2009.[4]Critical reception[edit]
The Cake Eaters currently holds a ’fresh’ rating of 64% at Rotten Tomatoes based on 25 reviews with an average rating of 6.01/10.[5]Roger Ebert of the Chicago Sun-Times, who gave it three out of four stars, praised Masterson for a good debut.[6]Stephen Holden of The New York Times called it a ’small, overcrowded ensemble piece’ that is ’elevated’ by ’superior acting’ into ’something deeper’.[2] Other critics, such as Rex Reed of the New York Observer,[7] Bill Goodykoontz of the Arizona Republic,[8] and V.A. Musetto of the New York Post,[9] also gave favorable reviews, with Musetto, in particular, lamenting the fact that it had taken two years for the film to be released theatrically.[9]
Not all reception was positive however, with Erin Trahan of the Boston Globe,[10] Gary Goldstein of Los Angeles Times,[11] and Aaron Hillis of Village Voice,[12] among others, giving it negative reviews. Goldstein, in particular, was sharply critical of what he described as ’a bland ensemble drama with an unremarkable script.’[11]Eat This Cakegraffiti Movies & Documentaries YoutubeAwards[edit]
*People’s Choice Award for Best American Indie Film - 2007 Ft. Lauderdale International Film Festival[13]
*Audience Award for a Dramatic Feature - 2008 Ashland Independent Film Festival[13]
*Discovery Award - 2008 Sedona International Film Festival[13]
*Best Feature - 2008 Stony Brook Film Festival[13]References[edit]
*^http://www.thecakeeaters.com/[permanent dead link]
*^ abHolden, Stephen (March 13, 2009). ’The Cake Eaters’. The New York Times. Retrieved 2009-07-08.
*^Open For Discussion http://openfordicussion.blogspot.com/2009/03/i-had-chance-to-see-cake-eaters-at.html
*^ ab’The Cake Eaters(2007) - Release Info’. IMDB. Retrieved 2009-07-08.
*^’The Cake Eaters(2007)’. Rotten Tomatoes. Retrieved 2009-07-08.
*^Ebert, Roger (March 11, 2009). ’The Cake Eaters’. Chicago Sun-Times. Retrieved 2009-07-08.
*^Reed, Rex (March 10, 2009). ’Twilight in the Catskills’. The New York Observer. Retrieved 2009-07-08.
*^Goodykoontz, Bill (March 13, 2009). ’The Cake Eaters’. Arizona Republic. Retrieved 2009-07-08.
*^ abMusetto, V.A. (March 13, 2009). ’You’ll Eat Up This Intelligent Drama’. The New York Post. Retrieved 2009-07-08.
*^Trahan, Erin (March 23, 2009). ’The Cake Eaters is full of family issues’. The Boston Globe. Retrieved 2009-07-08.
*^ abGoldstein, Gary (March 13, 2009). ’Review: ’The Cake Eaters’’. The Los Angeles Times. Archived from the original on April 17, 2009. Retrieved 2009-07-08.
*^Hillis, Aaron (March 10, 2009). ’The Cake Eaters Offers Genuinely Sweet, Forgettable Indie Fodder’. Village Voice. Retrieved 2009-07-08.
*^ abcd’The Cake Eaters (2007) - Awards’. IMDB. Retrieved 2009-07-08.External links[edit]
*The Cake Eaters on IMDbEat This Cakegraffiti Movies & Documentaries OnlineRetrieved from ’https://en.wikipedia.org/w/index.php?title=The_Cake_Eaters&oldid=993131526
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